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Australia stunned by Belgium, joining USA on Davis Cup scrapheap
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Spinners power India to win over Pakistan in Asia Cup
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Bolsonaro conviction 'not a witch hunt,' Lula tells Trump in NYT op-ed
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'Demon Slayer' tops N.America box office with record anime opening
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Tens of thousands join Ankara protest ahead of court showdown
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Haaland-inspired Man City inflict derby demolition on Man Utd
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Vuelta triumph caps Vingegaard's fight back from the brink
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French runner Gressier thanks anti-doping body for his world title
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Romania summons Russian ambassador over drone 'threat'
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'Palestine wins the Vuelta': Gaza demo halts cycling finale in Madrid
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Vuelta final stage abandoned due to pro-Palestinian protest, Vingegaard crowned
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PSG maintain perfect start to Ligue 1, Ethan Mbappe strikes late for Lille
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Alleged Kirk killer had 'leftist' beliefs, Utah governor says
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Shakespeare family tragedy 'Hamnet' wins top Toronto film prize
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Record-breaking England crush Scotland to reach Women's Rugby World Cup semi-finals
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Noren upstages Ryder Cup stars to win PGA Championship at Wentworth
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Lookman to miss Atalanta's Champions League opener at PSG, says Juric
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Fraser-Pryce, Jamaica's sprint warrior queen
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Vuelta final stage abandoned amid huge pro-Palestinian protest
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India limit Pakistan to 127-9 in key Asia Cup T20 clash
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Ethan Mbappe strikes late to give Lille win over Toulouse
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Fans set aside boycott calls to watch India-Pakistan cricket clash
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Rain denies England and South Africa a series decider
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Seville and Jefferson-Wooden enjoy maiden world titles, US savour field of gold
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Itoje to rehab with England as Farrell omitted from training squad
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Marc Marquez rolls out Messi-inspired celebration as seventh MotoGP title looms
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Seville delighted to win world 100m title in front of Bolt
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Seville sparks Jamaican men's sprint renaissance
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Starmer says UK won't tolerate racial intimidation after far-right rally
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New round of US-China trade talks kicks off in Madrid
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France edge Ireland in Women's Rugby World Cup quarter-final thriller
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Seville wins Tokyo 100m for first Jamaican men's sprint title in 10 years
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Marc Marquez nears seventh MotoGP title after San Marino triumph
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Jefferson-Wooden surges to women's 100 metres world title
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Former boxing world champion Hatton dies at 46
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Seville wins Tokyo 100m for first Jamaican sprint title in 10 years
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France's Gressier shocks field to win world 10,000m gold
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Marc Marquez nears seventh MotoGP title after San Marino win
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'Smart' Inoue beats Akhmadaliev by unanimous decision
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Isak not in Liverpool squad for Burnley game
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Badminton star Li leads all-China sweep at Hong Kong Open
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Lyles leads Thompson and Tebogo into world 100m final
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Defending champion Richardson struggles into 100m world final
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Former boxing world champion Hatton dead at 46: Press Association
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Spain PM 'proud' of pro-Palestinian protests at Vuelta
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McLaughlin-Levrone sails through 400m heats at world championships
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Polish president critical of Germany to visit Berlin
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Crawford shocks Alvarez for historic undisputed super middleweight world title
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Rubio visits Israel in aftermath of Qatar strike
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Bulgarian mussel farmers face risk, and chance, in hotter sea

Star Wars series 'Andor' back for final season
If "Andor" -- which returns from Tuesday for its second and final season -- has been received as one of the very best "Star Wars" TV series, that is largely thanks to the grittier, more adult approach taken by its creator Tony Gilroy.
That standpoint -- far, far away from the family-pleasing tone often encountered in the "Star Wars" universe run by the Disney empire -- should be of no surprise to those who watched the 2002 action thriller "The Bourne Identity", written by Gilroy.
Its genesis was already evident in the 2016 "Star Wars" movie "Rogue One", which Gilroy co-wrote -- and which serves as the climax to "Andor", which recounts the rebellion leading up to that film's events.
"Everything is emotionally charged" because "we're getting close to 'Rogue One'," Diego Luna, the actor who plays the protagonist Cassian Andor, told AFP.
For Disney, the success of "Andor" stands out as a new hope for a franchise that has become hit-or-miss with audiences in recent years.
That is why it has banked heavily on the 12-episode story, which cost a staggering $645 million to make, according to Forbes magazine.
Where "Rogue One" was about a rebel suicide mission to steal the plans for the Death Star, with "characters that sacrifice everything for a cause", "Andor" is about how one of those characters "gets there", Luna said.
Unlike in a typical hero's journey, the series explores the motives and dark sides of both camps: the rebels and the Empire. It spends time with figures such as a rebel alliance operative played by Swedish actor Stellan Skarsgard.
Gilroy, speaking to AFP with Luna during a Paris visit, said the original plan was for five seasons of "Andor", but he came to realise "there's no physical way to do it" given "the volume of work" required.
The result was two seasons, but with episodes that were "more intense, more complex in every possible way", Luna said.
With season one finishing in late 2022 with a stunning 96-percent rating on the critic aggregation site Rotten Tomatoes, season two has star billing on the Disney+ streaming platform.
That season hits the small screen from Tuesday in the United States, or from Wednesday in France, Germany, Italy and other territories.
- Revolutionary reading -
"Andor" is not the only hit "Star Wars" television series.
"The Mandalorian", which preceded it, excited audiences for the first two seasons before interest waned in its third. That story will move to the cinemas, with a film scheduled for release next year.
But "Andor" has impressed fans and critics with its darker vibe, greater political themes and more realistic tone.
Gilroy said his approach to the series was informed by a decades-long reading obsession about uprisings -- "all this crazy stuff I've learnt about... the Russian Revolution and... the French Revolution, and Thomas Paine and Oliver Cromwell and the Haitian Revolution and the Roman Revolution and Zapata."
"I mean, it's all in there," he said.
The second season focuses on the use of propaganda, looking at the tragic destiny of a planet called Ghorman, for which Gilroy and his team embarked on serious world-building, imagining its economy, language, culture and dress.
Part of the inspiration came from a French TV series about a village living under German occupation in World War II, "A French Village".
"I loved that show... I had some of those actors in my head" while writing about Ghorman's inhabitants, he said.
Even if some people might see some echoes of today's Earth in aspects of "Andor", Gilroy said a writer's horizon, stretching years ahead, did not allow him to anticipate current events.
But, he said, "the sad truth is that history is... rinse and repeat," adding: "We so commonly feel, narcissistically, that we live in unique times."
Technology might change, the rhetoric might alter, "but the dynamic of oppression and resistance are a Catherine wheel. It just keeps going. I think it's timeless, sadly."
M.Vogt--VB