-
Men's Fashion Week in Paris: what to watch
-
McGrath goes top of slalom standings with Wengen win
-
No Venus fairytale as Alcaraz, Sabalenka win Melbourne openers
-
Iran considers 'gradually' restoring internet after shutdown
-
Mitchell, Phillips tons guide New Zealand to 337-8 in ODI decider
-
Flailing Frankfurt sack coach Toppmoeller
-
Kurdish forces withdraw from Syria's largest oil field as govt forces advance
-
'Proud' Venus Williams, 45, exits Australian Open after epic battle
-
Vonn in Olympic form with another World Cup podium in Tarvisio super-G
-
Alcaraz kicks off career Grand Slam bid with tough Australian Open test
-
Hosts Morocco face Mane's Senegal for AFCON glory
-
Europe scrambles to respond to Trump tariff threat
-
Venus Williams, 45, exits Australian Open after epic battle
-
Taiwan's Lin wins India Open marred by 'dirty' conditions
-
Indonesia rescuers find body from plane crash
-
Kurdish-led forces withdraw from Syria's largest oil field: monitor
-
Ball girl collapses in Australian Open heat as players rush to help
-
France's Moutet booed for underarm match point serve in Melbourne
-
Zverev happy with response after wobble in opening Melbourne win
-
'Bring it on': UK's Labour readies for EU reset fight
-
New Zealand's Wollaston wins again to lead Tour Down Under
-
Zverev wobbles but wins at Australian Open as Alcaraz enters fray
-
British qualifier upsets 20th seed Cobolli to make mum proud
-
Zverev drops set on way to Australian Open second round
-
Indonesian rescuers find debris from missing plane
-
Wembanyama scores 39 as Spurs overcome Edwards, Wolves in thriller
-
Heartbreak for Allen as Broncos beat Bills in playoff thriller
-
British qualifier upsets 20th seed Cobolli in Melbourne
-
Paolini races into round two to kickstart Australian Open
-
Portugal presidential vote wide open as far-right surge expected
-
Lutz kicks Broncos to overtime thriller as Bills, Allen fall short
-
Marchand closes Austin Pro Swim with 200m breaststroke win
-
Raducanu says Australian Open schedule 'does not make sense'
-
Australia great Martyn says he was given '50/50 chance' of survival
-
Top-ranked Alcaraz, Sabalenka headline Australian Open day one
-
Haiti security forces commence major anti-gang operation
-
NFL's Giants ink John Harbaugh as new head coach
-
Skipper Martinez fires Inter six points clear, injury-hit Napoli battle on
-
NASA moves moon rocket to launch pad ahead of Artemis 2 mission
-
Silver reveals PSG talks over NBA Europe plan
-
Iran leader demands crackdown on 'seditionists' after protests
-
Carrick magic dents Man City Premier League bid as Arsenal held
-
Kane scores as Bayern deliver comeback romp over Leipzig
-
Arteta angry as Arsenal denied penalty in Forest stalemate
-
Glasner feels 'abandoned' by Palace hierarchy
-
Israel objects to line-up of Trump panel for post-war Gaza
-
Dupont guides Toulouse to Champions Cup last 16 after Sale hammering
-
Arsenal extend Premier League lead despite drawing blank at Forest
-
Kane scores in Bayern comeback romp over Leipzig
-
Skipper Martinez fires Inter six points clear, Napoli squeeze past Sassuolo
Humanoid robot says not aiming to 'replace human artists'
When successful artist Ai-Da unveiled a new portrait of King Charles this week, the humanoid robot described what inspired the layered and complex piece, and insisted it had no plans to "replace" humans.
The ultra-realistic robot, one of the most advanced in the world, is designed to resemble a human woman with an expressive, life-like face, large hazel eyes and brown hair cut in a bob.
The arms though are unmistakably robotic, with exposed metal, and can be swapped out depending on the art form it is practicing.
Late last year, Ai-Da's portrait of English mathematician Alan Turing became the first artwork by a humanoid robot to be sold at auction, fetching over $1 million.
But as Ai-Da unveiled its latest creation -- an oil painting entitled "Algorithm King", conceived using artificial intelligence -- the humanoid insisted the work's importance could not be measured in money.
"The value of my artwork is to serve as a catalyst for discussions that explore ethical dimensions to new technologies," the robot told AFP at Britain's diplomatic mission in Geneva, where the new portrait of King Charles will be housed.
The idea, Ai-Da insisted in a slow, deliberate cadence, was to "foster critical thinking and encourage responsible innovation for more equitable and sustainable futures".
- 'Unique and creative' -
Speaking on the sidelines of the United Nations' AI for Good summit, Ai-Da, who has done sketches, paintings and sculptures, detailed the methods and inspiration behind the work.
"When creating my art, I use a variety of AI algorithms," the robot said.
"I start with a basic idea or concept that I want to explore, and I think about the purpose of the art. What will it say?"
The humanoid pointed out that "King Charles has used his platform to raise awareness on environmental conservation and interfaith dialog. I have aimed this portrait to celebrate" that, it said, adding that "I hope King Charles will be appreciative of my efforts".
Aidan Meller, a specialist in modern and contemporary art, led the team that created Ai-Da in 2019 with artificial intelligence specialists at the universities of Oxford and Birmingham.
He told AFP that he had conceived the humanoid robot -- named after the world's first computer programmer Ada Lovelace -- as an ethical arts project, and not "to replace the painters".
Ai-Da agreed.
There is "no doubt that AI is changing our world, (including) the art world and forms of human creative expression", the robot acknowledged.
But "I do not believe AI or my artwork will replace human artists".
Instead, Ai-Da said, the aim was "to inspire viewers to think about how we use AI positively, while remaining conscious of its risks and limitations".
Asked if a painting made by a machine could really be considered art, the robot insisted that "my artwork is unique and creative".
"Whether humans decide it is art is an important and interesting point of conversation."
T.Germann--VB