-
Scotland's Laidlaw extends tenure as Hurricanes coach
-
Messi scores 900th career goal but Miami crash out
-
Japan coach says Australia 'massive favourites' in Asian Cup final
-
Iran targets Gulf energy sites after gas field strike
-
Director plans to put Val Kilmer back on screen thanks to AI
-
Social media addiction trial jury deliberations continue
-
Messi scores 900th career goal in Inter Miami cup clash
-
Barcelona, Liverpool, Bayern and Atletico reach Champions League quarter-finals
-
Tudor impressed by 'improved' Spurs despite Champions League exit
-
PSG will not relish Liverpool reunion, says Slot
-
Kane says Bayern 'don't fear anyone' ahead of Real clash
-
Venezuelan leader sacks defense minister, a Maduro stalwart
-
Kane and Bayern swat aside Atalanta to set up Real clash
-
Thailand's new parliament set to elect Anutin as PM
-
Atletico survive Spurs scare to reach Champions League quarters
-
Liverpool thrash Galatasaray to reach Champions League quarters
-
Music popstar will.i.am meshes AI and 'micromobility'
-
US Fed Chair says 'no intention' of leaving board while probe ongoing
-
US stocks fall on latest oil price surge as Fed lifts inflation forecast
-
Iran targets Gulf energy sites after intel chief killed
-
Costa Rica closes Havana embassy, tells Cuba to withdraw diplomats
-
NY's New Museum returns contemporary to heart of Manhattan
-
Cesar Chavez, icon of US labor movement, accused of serial sex abuse: report
-
Barcelona demolish Newcastle 7-2 to reach Champions League quarters
-
US Fed raises inflation outlook over 'uncertain' Iran war impact
-
Trump nominee for Homeland Security chief grilled at fiery Senate hearing
-
First international aid convoy arrives in crisis-hit Cuba
-
Eight killed during Rio police operation, including drug kingpin
-
Iran suffers new blow as Israel kills intel chief
-
Slovakia curbs diesel sales, ups prices for foreigners
-
Oscar-winner Sean Penn meets troops in frontline Ukraine
-
Thousands rally in Istanbul to mark year since mayor's arrest
-
WNBA, players union agree 'transformative' labor deal: official
-
US Fed holds rates unchanged over 'uncertain' Iran war implications
-
Senegal govt calls for investigation into Cup of Nations decision
-
From Faraja to Sepah: Iran's multiple security forces
-
Billionaire Dyson buys 50 percent stake in Bath rugby
-
Senegal demands 'corruption' probe over AFCON decision as Morocco defend appeal
-
The platypus is even weirder than thought, scientists discover
-
PSG's Barcola ruled out for several weeks with ankle injury
-
Colombia detains suspect in 2023 killing of Ecuador politician
-
Iran condemned as UN maritime body holds emergency talks on Mideast shipping
-
Iraqi Kurdish shepherds stoic in face of yet another war
-
Iran women's football team return after asylum tussle
-
US launches new era of drug war with Latin American allies
-
How many cargo ships are passing Hormuz strait?
-
'Free France': Macron reveals name of Europe's largest warship
-
Oil surges as Iran gas facilities hit, stocks slide
-
Foreign press group slams Israeli police for breaking journalist's wrist
-
Aston Villa want to be more than 'maybe team' in Europa League quest
Reality has no allure for Mexico's Oscar-winning director at Venice
It is one of the most unforgettable opening scenes to play at the Venice Film Festival: a baby pushed back into its mother because, he informs the doctor, who would want to live in this screwed-up world?
That was the fantastical and audacious opening that marked Alejandro Gonzalez Inarritu's return to the big screen on Thursday, after a seven-year hiatus following back-to-back Oscars.
"BARDO, False Chronicle of a Handful of Truths" is a deeply personal film that brings the director back to his home country of Mexico following two Best Director Academy Awards in 2015 and 2016 for "Birdman" and "The Revenant".
The film "wasn't developed by my mind, but by my heart", he told journalists, calling the nearly three-hour Netflix film an "emotional reinterpretation of a memory".
The film centres on journalist played by Daniel Gimenez Cacho about to accept a major prize in America -- success that sparks an existential, mid-life crisis and increasingly fuzzy lines between reality and memory.
"Every time, I'm less interested in reality in film," Inarritu said, calling it "limbo".
Featuring sweeping dreamscapes involving the parched Mexican desert, a post-apocalyptic Mexico City and the ruins of an Aztec citadel, the film is anchored by real-world relationships, between fathers and sons, husbands and wives, or even people and their homelands.
- Cortez and criminals -
We see Mexico's pained history in dreams -- scores of natives massacred by Cortes' 16th century invaders, or Mexican patriots desperately fending off US troops in the Mexican-American war -- as well as today's reality in the form of migrants making perilous attempts to cross the US border.
In one scene, heaps of plantains pile up in a deserted Mexico City street, as "desaparecedos" -- the tens of thousands of disappeared Mexicans abducted by criminal gangs or the state -- fall from the sky.
Racial and social inequalities within Mexican society are touched upon, but with a lighter touch than seen in "New Order" by Michel Franco, a violent, searing indictment of the gap between Mexico's rich and poor that won Venice's Grand Jury prize in 2020.
"Mexico is not a country, it's a mental state for me," said Inarritu, who said he wanted to examine the "longing" for one's country after having himself left Mexico for Los Angeles over two decades ago.
"But when you get far away from that place and when time goes by, this state of mind dissolves and changes."
D.Schneider--BTB