-
Typhoon Dujuan leaves four dead in Japan, 45,000 houses without power
-
Swimming prodigy Yu, 13, says 'interviews way harder than racing'
-
G7 leaders condemn Houthi strikes on Saudi Arabia
-
Star coaches make their bows as Nations League returns
-
Google data centre sparks protests in Austria
-
Rams bounce back as Giants reel from Dart injury
-
Shin Ohashi: Junk food-loving teen and Japan's next big swimming hope
-
In Bangladesh, Pakistan's Jinnah photo stirs anger
-
Stocks rise on AI buzz, drop in oil prices
-
Two New Zealand naval ships transit Taiwan Strait
-
China's robot dancers limber up for America's Got Talent final
-
Zidane gets down to work as France start new era
-
Despite military might, Saudi struggles to crush the Houthis
-
Inside the Venezuelan prison meant to 'drive you insane'
-
Trump to tout deals, defend Iran war in UN speech
-
UK king braces as memoir by Diana's brother goes on sale
-
Sri Lanka to issue verdict in landmark Easter attack trial
-
No green light to lift EU sanctions on Russian oligarchs, talks to resume
-
Macron says talks with Trump on Red Sea, Ukraine 'constructive'
-
UK agrees support for Saudi in struggle with Houthis: reports
-
Green policies just good politics, says UK minister
-
EU foreign policy chief calls for continued sanctions on Russia
-
Bardot auction in Paris fetches nearly one million euros
-
Flights scrapped, evacuations urged as Typhoon Dujuan wallops Japan
-
No timeline on Daniels injury return, says Commanders coach
-
Fonseca to take break from tennis
-
British Columbia sues OpenAI in US court over Canada school shooting
-
A Cuban zoo, and its animals, in epic battle for survival
-
French star Batum retires after 18-year NBA career
-
Infantino proposes consulting federations to reform FIFA
-
Zidane leads first France training session
-
El Nino weather pattern enters record territory: scientist
-
Man shot by ICE agent in Texas detained with bullet inside him: lawyer
-
OpenAI calls for US to lead global effort on AI standards
-
California declares state of emergency ahead of El Nino
-
South African ostriches plucked alive for luxury fashion: report
-
South Africa arrests three more suspects, after nine women murdered
-
US networks halt Trump coverage in revolt over White House ban
-
Carse needs time away from England, says captain Brook
-
Paramount settles with US states to clear Warner Bros. mega-merger
-
NOWPayments Releases Cross-Chain Payout Data Revealing Key Performance Benchmarks Across TRON, BNB Chain, and Solana
-
Climate crisis a job for world leaders, not just activists: UK FM
-
British Museum bans photos of Bayeux Tapestry as crowds linger
-
US networks halt Trump coverage over White House ban
-
COP31 host says AI climate footprint to be a summit priority
-
French singer accuses Miley Cyrus of plagiarism
-
Berlin's far-left vote winners reject anti-semitism charges
-
EU fines Google 403 mn euros for location data breach
-
Mancini eager for 'new adventure' on Italy return
-
'Best is yet to come,' says De la Fuente after Spain extension
Oscar-nominated 'F1' sound engineers recreate roar of racetrack
How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes?
That was the challenge faced by the sound team behind the edge-of-your-seat Oscar-nominated Formula One blockbuster "F1: The Movie."
"It was important to keep the energy of an actual Formula 1 race alive," Gwendolyn Yates Whittle, a sound engineer who has worked on dozens of productions including "Titanic" and all three "Avatar" films, told AFP.
Yates Whittle confesses she was not exactly a fan of motorsports when she took on the film.
Brad Pitt stars as a grizzled veteran brought in to shore up a foundering F1 squad run by his one-time teammate, played by Javier Bardem.
The team's talented rookie driver (Damson Idris) resents the older man, with their difficult relationship forming the emotional backbone of a movie whose plot shares similarities with director Joseph Kosinski's previous hit "Top Gun: Maverick."
Yates Whittle -- who is nominated alongside Gareth John, Juan Peralta, Al Nelson, and Gary A. Rizzo -- said the sound designers wanted viewers to feel as if they were inside the cars.
The team wanted "to try to recreate for someone who's never been in an F1 car, what it feels like to be an F1 car, what it feels like to be in the stands if you've never been to an F1 race."
Yates Whittle, whose resume features more than 120 credits, said the devil was in the details, ensuring that the movie's rapid cuts interspersed the sounds of engines, tires, brakes and radio communications -- and that all were "crystal clear" for audiences.
"It was a challenge, but a good one," she said with a smile.
The end result has so far earned the team a BAFTA and a Critics Choice Award.
At the Academy Awards on March 15, they will compete against engineers for "Frankenstein," "Sinners," "One Battle After Another" and the Spanish film "Sirat."
- Veteran vs rookie -
"F1: The Movie" has been a hit for Apple, raking in more than $630 million worldwide, and surprised industry watchers with a nomination in the prestigious best picture category, to sit alongside those in sound, editing and visual effects.
John, who won an Oscar last year for his work on "Dune: Part Two," said it had been "fantastic" to see the reaction to the film, which features cameos from real-life drivers including seven-time champion Lewis Hamilton, as well as Fernando Alonso and Lando Norris.
The sound team had to quickly immerse themselves in the sport when work started, heading straight to the racetrack to study the sounds of the circuits.
"We had so much fun making it just being thrown into the world of Formula One," John said.
For Peralta, the sound mixer who is a first-time nominee, combining his profession with a long-time passion added an extra layer of complexity.
"I've been a Formula One fan for a long time, so I was very nervous to try to represent Formula One the best way I could, and also put it in the theater, which is something we're not used to," he told AFP.
"That environment was a challenge, but I accepted it, and I had a lot of fun."
O.Schlaepfer--VB